Here’s what inspired me to give another tedious, labor intensive Chanel Jacket a go:
It’s a 1962 Chanel jacket pattern released by the Spadea pattern company. Spadea was a mail-order company that sold sewing patterns, via articles in local newspapers across the country, from 1950 through the 1970s. What made Spadea unique was that the patterns were drafted directly from designer garments currently retailing in U.S. stores. So a housewife in rural Ohio or Salt Lake City could use their patterns to recreate replicas of garments by American Look designers such as Claire McCardell, Ceil Chapman, Tina Leser, Joset Walker, Clare Potter, or international designers such as Biki of Milan, Pierre Cardin, a young Lagerfeld (designing for Tiziani) and the Queen’s couturier, Norman Hartnell. The range of designers fashions represented in the Spadea line is astonishing. In recent years these patterns have become highly collectible in the vintage sewing world, some going for hundreds of dollars.
Look closely, and you’ll see that this particular pattern says “Chanel design reproduced by Suzy Perette.” In those days before off-shore manufacturing, U.S. fashion companies would license designs from French companies and manufacture replicas of the garments in the U.S. for the domestic market. One of those companies was Suzy Perette, who created U.S.-manufactured garments by Euro designers such as Givenchy and Chanel.
This jacket pattern has the hallmarks of Chanel jackets of that era: the high, tight armholes, the bracelet-length sleeves with vents, the center front panels that hang in parallel lines from the neckline, the small Mandarin collar that stands up just so, the slightly boxy, cropped “Jackie” fit.
Even though I was sick to death of making jackets, when I found this pattern online late last summer I just couldn’t resist.